There is also a stumbling block of a different kind. Festivals (and also their ateliers) have promulgated and molded, perhaps without realizing it, a false Esperanto in which filmmakers from many parts of the world express themselves with particular but never disobedient variations. The rigidity of taste and the poetics assumed as legitimate expel from the galaxy of festivals many extraordinary films that do not even find a sensitive translation in those who are in charge of the selection. They are “written” in a language that the programmer has not learned. They are films without subtitles of their poetics.
Having said all this, I think that what matters least is what has been the most mentioned film or the first most outstanding film, and even, although to a lesser extent, who has been the emerging director with the most recognition. All the lists reveal something, several are surprising and some unveil a real unknown universe. I have noted a number of titles whose existence I was unaware of, and I suspect that the same will happen to those who read.
Mercedes deBellard’s illustrations went viral thanks to platforms like Pinterest or Tumblr, today her style is easily recognizable and many clients want to collaborate with her.
In this introductory course to digital drawing, you will learn how to imitate the traditional technique of illustration with colored pencils using the computer to make your animal-themed illustrations, obtaining a warm and nuanced style, like the one Mercedes uses in her work.
Mercedes deBellard began working as an illustrator while she was finishing her degree in Fine Arts at the University of Granada and working as a waitress. Soon she decided to dedicate herself exclusively to drawing and clients such as Warner Bros, Movistar, The Sunday Times, Telegraph UK, El Corte Inglés or The Guardian came knocking on her door.
The courses are divided into different units, each of them includes lessons, explanatory texts, tasks and practices to carry out your project step by step, resources and complementary attached documents. You will also have access to an exclusive forum where you can interact with all the students in the course and the teacher, as well as share your work and the project you carry out, thus creating a community around the course.
Universidad de los Monstruos
Especificaciones del artículo Estado:Muy bueno: Un libro que no parece nuevo y que ha sido leído pero que está en excelente estado. No hay señales evidentes … Leer mássobre el estadoMuy bueno: Un libro que no parece nuevo y que ha sido leído pero que está en excelente estado. Sin daños evidentes en la cubierta, con la sobrecubierta (si procede) incluida para las cubiertas duras. No faltan ni están dañadas las páginas, ni hay pliegues o desgarros, ni hay subrayado/resaltado del texto o escritura en los márgenes. Puede haber mínimas marcas de identificación en el interior de la cubierta. El desgaste es mínimo. Consulte el anuncio del vendedor para ver todos los detalles y la descripción de las imperfecciones. Ver todas las definiciones de condicionesse abre en una nueva ventana o pestaña Año de publicación:1980 Idioma:Español Frecuencia de publicación:Número especial Nombre de la publicación:Universidad de Puerto Rico Características:Edición de coleccionista País/Región de fabricación:España Suscripción:No Tema:Aves diversas
Monster inc 2
La Cegua is a specter from Mesoamerican mythology. It is a beautiful woman who transforms into a monster with a rotting horse’s head. In the image, traditional Costa Rican masquerade representing the Cegua.
Originally, the term cihuacóatl designated a Nahua goddess representing the fertile Mother Earth, who was known by many names. Possibly, her cult originated in the Huasteca (Gulf Coast of Mexico). In general, the Huastecans were a people rich in folklore and mythical imagination to create goddesses of fertility and lust, with great prevalence of phallic cults and deities connected to sexual life. In Mesoamerican mythology, the Huastecans are known to have a rich folklore.
In Mesoamerican mythology, the goddess Cihuacóatl always bore twins. Many of the wealth-giving vegetation deities passed from the Huastecans to other peoples. Cihuacóatl is also related to the genesis of another Mesoamerican legend: La Llorona. The word cegua seems to be also a contraction of ceguanaba. In fact, the term “cegua” comes from “cihuateteo”, a term that was used to refer to Nahua deities.